I have been trying to fill in my cold weather wardrobe with handmade basics and the York Pinafore and the Jade top are the perfect combination. This past holiday weekend, I finished a second fall version of the York and two more Jade tops, all of which will mix and match with my other fall York. With tights it is the perfect cold weather outfit. 
I sewed my second fall York using a light brown wide-wale corduroy that I bought for a song at FabScrap – a wonderful non-profit based in Brooklyn that is working to keep fabric out of landfills by recycling and reusing fabric that would otherwise be discarded. 
I lined the pockets with blue linen left over from a summer version of the York. You can see how nice the fabric is in this close-up. It is really soft and drapes so well-really surprising in a corduroy as they are often stiff.
I had heard about FabScrap but had never visited their operation and then the Love to Sew ladies came to NYC and hosted a meet-up of local sewists there and I was lucky enough to be able to go. I am a big fan of the Love to Sew podcast and Helen and Caroline were so warm and friendly in person and it was really fun to spend time with other sewing friends. It was such a fun evening!
At FabScrap, volunteers sort donated fabric and what can’t be sold as yardage is recycled and made into industrial felt. They even have recycled buttons and zippers and sometimes sell fabric online. They recently had a flash sale of corduroy for $5 a yard that I jumped on. I bought four colors thinking that it would be a great basic to have for clothing for myself but also for little jumpers and pants for future grandchildren and I am so glad I took the plunge. It will make great garments (I have plans for Lander pants and this amazing Charlie Caftan hack ) and the scraps will end up in some patchwork quilts I am making out of leftover heavyweight plaid flannel scraps. Altogether a great purchase. This summer I wore my Yorks with Gemma Tanks and now that the weather is colder, the Jade knit top is the perfect shirt to go under the pinafore. I made two this weekend including the navy and white striped version 
as worn here:
and have several more cut out. I discovered Cloud 9 organic cotton knits this spring when I was a tester for the Jade and made this version:
This fabric is a dream to sew with and is incredibly soft and comfortable to wear. I stocked up on several different colors and stripes this summer and I am sewing a wardrobe of shirts. It spoils you for any other knit. I highly recommend it. It would make great children’s tops as well.
I also sewed a dark grey version of the Jade from lovely soft cotton knit fabric bought long ago from Peekaboo pattern company. I know this will get a lot of wear. It goes with everything.
And there you have it. Two great patterns that are quick to sew, don’t use a lot of fabric and mix and match with many possibilities. More versions to come! Perfect for walking all over the city, something I have been lucky to do this fall. I really enjoyed walking through Central Park 
and going to the Guggenheim 
where I saw this amazing exhibit which is totally worth a visit. 
I will definitely be going back. 
This past Sunday it was so warm (50 degrees in November!) and my husband and I spent the day exploring Clinton Hill in Brooklyn
where we got to see the inside of the beautiful library at the Pratt Institute (yes I am wearing my Tamarack Jacket here-this was a selfie in the distance-the mirror was on the opposite wall and I couldn’t resist.)
We also went to a favorite bookstore where I bought this book (so good so far) and
ended the day with ice cream eaten on the waterfront. It felt like spring-a perfect fall day. (this is not us-just another lucky couple enjoying a beautiful NYC night.) Happy Fall!
Tag Archives: York Pinafore
Fall York Pinafore
I wore the Helen’s Closet York Pinafore all summer as you can see here, here and here and with fall coming, I wanted to try making a warmer fall version. I had in mind a wide wale corduroy but didn’t find what I was looking for and this soft, cotton corduroy fit the bill. It was easy to work with and it is low-maintenance. Since I started sewing for myself, I have tried to only sew things I can wash at home and almost never dry-clean anything anymore.
I had some beautiful paisley rayon challis left over from making this dress and I used it to line the pockets and to make the hem facing and bias binding.
Bias Binding Close-up
I love the little pop of patterned fabric
I like to line the pockets and this paisley lining is really lovely, almost feels like silk.
It was a bit slippery going with the bias binding but worth it. I made a size large as I have been doing but probably could have taken it in a bit because the fabric doesn’t drape like linen. I plan to make several Jade tops to go with it but here it is worn with a very old Gap t shirt that I am holding on to until I make a me-made version. Sewing your own knits really spoils you for anything else.
I went shopping in my closet and found shoes I hadn’t worn in a while (purchased 19 years ago, does that make them vintage?) but love with this outfit. It reminds me a bit of the classic Marc Jacobs look from You’ve Got Mail, sort of upscale librarian or book shop owner, (or nurse practitioner ). It will be great with boots this winter.
This fall I am busy as I always am in the fall, teaching new nursing students, so I appreciate my go-to patterns that enable me to still make a wearable garment in a day. This was a Sunday project. Probably more versions to come, likely a black wide wale version. 
I have to say that my Tamarack Jacket goes with this outfit as it goes with just about everything. I am loving wearing it.
My pockets were not as neat as I would have liked on the inside and so I cut a large square of the lining fabric and hand-stitched it over each pocket on the inside of the jacket. 
I love the neat look and I think it will be more durable and it doesn’t interfere at all with putting anything in the pocket. I also like that I was able to include some of the selvage with the designers’ names. 
I am slowly building a fall wardrobe of basics that work together. The Paisley dress, this pinafore, a grey Blackwood cardigan and my Tamarack Jacket are the first four. I plan to make a some versions of the Elliot Sweater, the aforementioned Jade tops, a Berlin jacket in a dark grey boiled wool and some Beatrix blouses, all of which will mix and match well with the pinafore and my ready-to-wear jeans, leggings, corduroys and boots. I am not quite ready to jump on the me-made jeans bandwagon but it is a lot of fun watching so many different versions pop up online.
What are your fall sewing plans? Do you make garments with an overall wardrobe in mind? I am excited to follow the #fall10x10 challenge on instagram. It is fun to see how many outfits people can make with a capsule wardrobe. I am not quite there yet but maybe next year!
Seersucker York Pinafore
This has been the summer of the York Pinafore. It has been really hot in the Northeast and when I made my first versions of the York, I realized that it would work well with many hand-sewn tank tops in my wardrobe and be a cool, loose work uniform. I also love that it can be made with 2 yards of fabric and that so many fabrics I already owned worked well for the pattern. So a couple of weeks ago, I cut out three more versions: one practically a duplicate of my much-worn linen-cotton version seen here using scraps left over from this Gemma:
When I originally bought this linen-cotton fabric 3 years ago, I bought a large piece and had many plans for it. I used it to make this Pearl shift which I love but never used the rest of it so had quite a bit in my stash. It turns out it was just waiting all this time to become a York or two. I also cut one in a lightweight navy linen that I bought this year when I decided that I needed more linen in my life and a third in a cotton seersucker that I bought on sale this spring (and can no longer find where I bought it) which I hoped, but wasn’t sure, would work well in terms of drape. It is so lightweight, that if it did work, I knew it would be great for the 90 degree days we have been having. Turns out it worked great and I love it.
For all of my Yorks, I have lined the pockets. It occurred to me early on that it would be quicker to do that than to turn all the edges under and would simultaneously enclose and finish all of the pocket edges. I am really happy with how this has worked. Here are the pockets of my newest Yorks, all lined up with the top edge topstitched and ready to be sewn onto the front of the pinafores, along with a Ruby blouse bodice that will likely work well with all three. I like the challenge of making pocket linings and bias binding from fabric scraps from prior projects. I am not sure I am really saving a ton of money with the large amount of fabric I purchase but it at least gives me the illusion of thrift and I like the challenge of finding scraps that will work. I have used cotton lawn and voile as linings because I didn’t want to add a lot of bulk to the pockets and change the drape of the garment.
Here are the pocket pieces from my seersucker York ready to be sewn. I cut out the pocket piece from the main fabric and then use that as my template to cut the lining. I generally make the lining a bit larger and then trim once everything is sewn together.
Here are the pocket pieces sewn together and then turned right sides out prior to topstitching.
When I sew the pockets, I cut two of each of the pocket pattern pieces-one from the regular fabric and one of the lining fabric- and sew them together except for the seam that will eventually be sewed into the side seam, I then turn the pockets inside out and press and then sew to the front piece of the pinafore. Then I sew the side seams with wrong sides together and then again with right sides creating a French seam. Lots of trimming of fringe and stray threads happens in between sewing the two seams. I wasn’t sure how French seams would work with the pockets but I am here to say, 6 Yorks later, that it has worked great. Here is a close-up of the edge of the pocket turned up so you can see the lining. I used a floral cotton lawn by Liberty of London left over from this blouse.
And here are some pictures of the finished garment.
Front:
Back:
Inside view so you can see the trim:
And as worn.
I love that little partially hidden pop of floral liberty fabric. I am wearing my Seersucker York with my white double gauze Gemma Tank. I will be making another or these (or two) this winter as it is my go-to top. Goes with everything.
I used leftover solid cotton lawn when I sewed a York in a cotton-linen canvas print: navy for pocket linings and bias binding and yellow for the hem facing.
The canvas was so crisp it was a pleasure to sew with.
And here are the finished views:
Inside so you can see the bias binding and hem facing:
Finished front:
And finished back view:
And as worn:
Most of my cotton lawn scraps come from the many Gemma Tanks that I made over the last few years, many of which work with my Yorks, creating endless mix and match outfits. Is it any wonder I keep making York after York? I have some pink linen fabric that I bought earlier this year planning to make a top but now I can’t get a pink York out of my head. Stay tuned!
Ojos Flame Challis York Pinafore
Ever since I saw this beautiful version of the Helen’s Closet York Pinafore, I knew I wanted to make one for myself. One of my goals this year has been to use some of nicer fabrics in my fabric stash (the ones I have been saving and afraid to cut into) to sew garments. This is a very sheer, float-y rayon and I have wanted to sew something but hadn’t been able to decide which pattern to try.
This weekend the temperature in Connecticut finally dipped below 80 degrees and I decided to take the plunge.
Helen’s version of this longer pinafore used a facing and spaghetti straps instead of bias binding. I originally thought I would do that too but the more I thought about it, the more I thought I could achieve a similar effect by tapering the straps. I ended up piecing the front strap because I decided on this approach after I cut everything out (I had originally thought I would do the spaghetti straps but then changed my mind) but I don’t think the piecing is noticeable and it actually enabled me to get more length out of the relatively small piece of fabric.
I tapered the straps so that they would be 1.5 inches at the top of the shoulder and used a navy cotton lawn for my bias binding. I feel as though the lawn gives a bit of structure to the strap and is less slippery so that the straps don’t slide off my shoulders. It is total heresy, I know, but I didn’t stay-stitch or under-stitch when I sewed the bias binding. I generally don’t. I try to handle the neck and arm holes very little and I don’t pin the binding on, I just hold it gently in place and sew. When I iron the folded binding before top-stitching it in place, I just iron the fold into the lawn, not the rayon. Then I fold by hand and use wonder clips to hold it in place before I sew the top seam. You can see pictures of how I do this in my Gemma Tank posts. I spent a lot of time sewing bias binding when I made many Gemmas two summers ago and this approach is pretty quick and gives me good results.
All in all this was a very quick sew. I like how swishy it is (you can see it in action on my Instagram post) and I like it with my white double gauze Gemma
and also with my chambray Gemma, and I actually have a navy lawn Gemma that is almost finished (the source of the scraps I used for the navy lawn bias binding) which I think will also work well.
I may also make or buy an inexpensive navy slip dress to layer under the pinafore which I think would be a nice casual look. I like that this garment works with dressier sandals but also with flip flops, as all the best summer dresses do.
I feel as though I achieved a similar feel to Helen’s floral longer York but preserved the nice armhole shape which is one of my favorite design elements (and good motivation to keep swimming those laps at the pool!)
I cut the back piece a bit longer than the front, not on purpose-it just worked out that way- but I ended up leaving it a bit longer in back because I liked how it turned out.
This is my fourth York Pinafore. I have three more cut out. What can I say? When I love a pattern, I love a pattern and this is such a good one. It is all I have been wearing this summer (with my many Gemma tanks). You can see some of the many outfits I have been able to make by searching the hashtag #wearyouryorkday.
Here is a version in Cloud 9 Linen-Cotton canvas print:
And this incredibly versatile version in Essex Linen which I blogged here:
It goes with everything I own, literally.
And my original lightweight linen muslin which I love so much:
If you haven’t tried this pattern yet, what are you waiting for? Go forth and sew a linen or cotton or rayon York! You won’t regret it.
Helen’s Closet York Pinafore in Linen X 2
When I first spied a tester version of the Helen’s Closet York Pinafore during Me Made May before its official release, I knew it was going to be hugely popular. I guessed that this was Helen’s new pattern because I am a Patreon Supporter of the fantastic Love to Sew podcast hosted by Helen and Caroline and in one of the subscriber-only extra LTS podcasts, Helen mentioned that her to-be-launched new pattern was a modern take on a pinafore. Since I am from Connecticut, I didn’t know what she meant by pinafore-here in the US, we call this particular garment a jumper- but when the tester posted a picture during Me Made May and referred to the garment she was wearing as a pinafore, I knew it must be the pattern.
Since the pattern release, it has been popping up all over the place and for good reason. It is a cute modern design, a relatively easy sew and it is fun to customize. I was thrilled because now I have a pattern to use to sew all the slightly heavier fabrics in my stash (I have a number of linen blends and heavier cottons I purchased for various reasons and have not yet used). And it only takes 2 yards of fabric. So the day it was launched, I purchased the pdf and printed it out.
I had some issues with my printer-it cut off parts of the pattern- but I connected the lines and it looked ok and I cut out the front and back from this linen and started playing with the fit. I cut my first version by cutting between the medium and large cutting lines which usually works for me. I basted the shoulder and side seams and then started trying on the jumper and playing around, taking it in a bit in here and there, sewing more rows of basting stitches, and pretty soon my seam allowances were all over the place but I liked the shape. I was actually afraid that if unpicked the basting seams to sew French seams or add pockets, I wouldn’t be able to replicate the shape, especially since the fabric I used was a lightweight, rumpled linen blend. So, I sewed a line of stitching along the innermost line of basting stitches, trimmed off the rest of the wonky seam allowances and called it done.
Here are some pictures of the finished garment:
and as worn with my much loved Gemma Tank in white double gauze. It is a little wonky and sack-like but I love it.
I had altered this Floral Voile Ruby Dress to make it into a blouse during Me Made May since I hadn’t worn it much in the year since I sewed it. I happened to have it in my sewing room and tried on the York over the blouse and realized it was a perfect match for the linen so I used the extra fabric to make bias binding and a hem binding since the length was a bit short and I finished it in time to wear to my stepdaughters’ graduation.
Since I raced to finish this wearable muslin before going on vacation, I didn’t actually read the meticulous fitting instructions that Helen included in this pattern.
After vacation, I printed out another set of pattern pieces and decided that this time I would read and follow the instructions. I was also excited for pockets!
Based on the instructions, my measurements put me in a size Large and given my 5’9” height, Helen’s directions suggest adding 1.5 inches to the pattern by adding 1/2 an inch in three separate places. But when I lined up the version I had already made, it was much smaller than the new pattern that I had printed out and pieced together and in particular, the straps were shorter in my first version and I was pretty happy with where the upper part of the skirt hit my torso on version one. I actually think with my long torso it is sometimes more flattering to have the waist of the garment hit a little higher than my natural waist. So despite the really wonderful, logical instructions, I did not add any length to the straps of the pattern and just cut the pattern out between the M and L lines except for the straps which I cut on the M line at the top and the L lines along the armholes to add a bit of width to the straps. Since the new printed pattern was so much longer than the version I had already sewn, I just cut along the L hem line and decided to sew it up and see what happened. As I did with version 1, I drew a new curve for the neckline about half-way between the two versions of the pattern.
I decided to go for broke and sew French seams even though they always take more than 5/8 inch when I sew them (I have a hard time enclosing all the fraying edges with the 1/4 and 3/8 seams used to create French seams as Helen instructs in the pattern. I ended up sewing a 3/8 seam with wrong sides together and then a 1/2 inch seam with right sides together since it seemed as though I would have lot of extra width. The finished version was longer than version one as planned but even with my 7/8 inch French seams, it was also more roomy. It did not completely make sense but I figured I must have made more adjustments than I realized with my first version- it was such a blur. I tried on version 2 and took pictures. I liked it but did not love it because the linen-cotton blend I used for version 2 was more stiff than the linen I used for version 1 and I felt that overall, the finished garment was less flattering. Here it is with another favorite Gemma tank. I used quilting cotton for the top-stitching to accent the design features and this version had pockets but I didn’t like it as much because it was bigger and didn’t drape as nicely and felt a bit more dowdy.
I had even lined the pockets using beautiful fabric given to me by a friend (leftover from a Gemma tank that I sewed during Me Made May.)
I was a bit disappointed but I chalked it up to a learning experience and figured I would try washing it and see if the fabric would soften up a bit.
And YAY! it not only softened up but it shrunk as well and now I love it! Go figure! Here are more pictures with more Gemmas. It is just a bit shorter, just a bit more fitted and much drapier. It is like a whole new garment.
So maybe the fabric I cut out hadn’t been pre-washed (although I am almost positive I had washed it before I put it away last year) or maybe this linen-cotton blend really shrinks a lot? Either way, I am thrilled because after taking the time to line the pockets
and sew French seams and do all the things,
I am really happy with it. Now the only challenge is to figure out what to do about version 3. I am thinking that I will need to make more adjustments to my paper pattern. Such is the life a sewist.
In any event, I plan to wear this all summer. It goes with everything in my closet, especially my huge collection of Gemma Tanks.
Several years back I made many versions of the Made By Rae Gemma tank and I plan to wear my York every week this summer with a different Gemma. I think I have enough that I can wear a different combination every week. Want to join me? I will post every Tuesday with the hashtag #wearyouryorkday I actually have a couple of Gemmas cut out that I have been wanting to finish and this is just the incentive I need.
Congratulations to Helen on such a wonderful new pattern. I made four versions of the her Blackwood Cardigan this May and have more planned. She is on a roll!
nursebeansews 