Liberty Fabric, Made By Rae Patterns, Sewing

Emerald Dress by Made by Rae

Back in May I was inspired to make the Emerald Dress from Making Magazine, designed by Made by Rae. I didn’t actually think that it would flatter my body type but I was intrigued to try sewing a garment on the bias for the first time and Rae’s pattern have such clear instructions and such lovely, flattering lines and generally fit me without alterations so I decided to go for it.

This pattern is a free download once you buy the magazine. Because the pattern pieces are cut on the bias, it requires  more fabric and very precise cutting when you are cutting out the main pieces.

I was up for the challenge. I had a 4 yard piece of a striped lightweight cotton from the Loominous line by Anna Maria Horner. I had bought it on sale a couple of years ago thinking it would be good for backing a quilt. I thought the stripes would be interesting with this design. I deliberately did not match them at the seams because I thought it would create more of a sense of movement. Taking my time to cut things out carefully was actually nice for a change. I am usually a batch sewing queen, cutting out several things at a time to be more efficient but I find that I really enjoy the process of sewing a new pattern one step at a time and taking my time. It becomes a really meditative process for me. I moved my two largest cutting boards down to the dining room table and used a large clear quilting ruler to line up the fabric on the bias using the stripes to guide me.

I cut on the S/M lines based on my bust measurement of 37″ and took my time. I added two inches to the length by drawing a new cutting line for the hem about two inches below the pattern line so first version has a skirt that flares just a bit wider than as designed. To compensate, I cut the hem facings a bit wider on each end. I am 5’9″ tall and I always add 2 inches to Rae’s tops and dresses since my height is all in my torso. I did not interface the hem or hem facings but I did interface the neck and arm facings.

I found this lightweight woven nice to work with but I found that lining up the V sharply proved a bit challenging. I got there in the end but I had to do some creative wrestling including cutting the facing edge at the bottom to allow it to spread a bit. I ironed everything into submission and added a row of stitching just around the neckline. I sewed the facing edge to the dress from the outside not the inside as the pattern calls for because my stitching looks nicer as topstitching.

I was actually surprised at how much I liked the final version. You can see a bit of stripe matching serendipity here. I didn’t try to match and didn’t really want it matching because I think it is more interesting that way but I like how some of the stripes come together at the side seam. It really accentuates the sewing lines. After making it, I thought about sizing up a bit in the neck and shoulders so it would be a bit more drapey. I used my bust measurement for the sizing but on closer reading, the high bust should have been my guide and I should have cut between the S/M and L/XL lines. I thought about changing the size when I made version 2 but as I wore this one, I decided I liked it as is. The stripes don’t match on the opposite side seam and the front seam has the stripes in slightly different alignment on the two sides which I like. I have always preferred things to not be too matchy matchy so this made me happy.

I had thought this would be a beach coverup caftan type thing and eventually that is what it will become but I have actually worn it out to my book group and to the office. I love the way it feels when worn, very comfortable, swishy, flowy and light for summer but with a polished, flattering neckline. Rae does it again!

After May was over, I took a couple of weeks off from sewing for a family visit for a graduation and when I got back, I kept thinking about making a second version. I really like making things at least twice because it gives me a chance to fix things I missed on round one.

I had a 2 yard piece of a dusty rose linen-rayon blend from fabric.com. I don’t even remember why I bought it, possibly to make another York pinafore and it would have been great for that, but I knew it would work well for this pattern because of the drape. Since I just had two yards and no stripes to deal with, I altered the angle of the pattern pieces when cutting it out so that they are on the bias but on a slightly less sharp angle. You can see it in the picture above. I cut the pieces out on the doubled fabric rather than flat so the angles would all be the same. I didn’t have enough for hem facings but I used a scrap of liberty, always a great solution!

I hadn’t intended to interface it because I wanted the hem to not be stiff but the floral pattern showed through the pink so I ended up using interfacing. I sewed this second version slowly but still completed it in a day. I had the same issue with my neckline and cut the V apart on the interfaced facing at the bottom and then sewed everything down. It is fine though not as neat as I would like on the inside. But honestly, that is no big deal. I drafted simple bias facings for the sleeves and didn’t interface them again because I wanted a drapey feel for the sleeves. I really love how they turned out.

And now, many pictures of the finished dress. On the front door:

and as worn.

This dress is great dressed up but would also be good as a more casual look with a chunky pullover sweater (I am looking for the right one) and clogs or with a jeans jacket and more casual jewelry.  It could totally go from a dinner out or church dress to a walking along the beach dress.  And I think it is really flattering despite my initial misgivings.

Jessica (@kunklebaby on Instagram) made a beautiful version in a blue and white ikat. I may totally copy it!

Happy summer sewing friends!

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Bias Binding, Gemma Tank, Liberty Fabric, Made By Rae Patterns, Pearl Shift, Sewing

Gemma Tank with Gathered Skirt X 3

Last year about this time, I had the idea to use the Gemma Tank pattern and make some summer dresses. Rae posted a tutorial on her blog for adding a peplum to the tank which I tried and loved so I thought I would try just lengthening the ruffle to skirt length using two wider and longer rectangles for the skirt. Then I got distracted by other patterns and other sewing. It must be said that when I sewed my first version of this Gemma Dress, I used too long a bodice and it wasn’t balanced and I was too discouraged at that time to take apart the already gathered and attached skirt and shorten the bodice. It felt overwhelming. I did finish a version with a very long linen skirt and a Liberty of London cotton lawn floral top. I lined that version and it came out ok (pictures below) but I forgot to add a seam allowance to allow for the sausaging of the bodice and so the straps were narrower than I would have liked. All of this to say that this year, I had two versions of this dress cut out and partially but not completely sewn. One was made from a previously me-made chambray Bianca Dress

and a skirt I purchased about 15 years ago in a little boutique but rarely wore because I didn’t like the waist. I loved the fabric though so held onto it. The other version was in a beautiful cotton double gauze that I purchased on sale from Alewives Fabrics after years of wanting the fabric but not feeling that I could spend the money.  This May one of my goals is to finish some of these projects that have languished.

First up, the chambray and upcycled rtw skirt.

The skirt was lined with a gauzy green fabric which I used for the bias binding and hem facing. I added bra holders made of ribbon as I sewed the binding.

I used elastic thread to gather the skirt which worked great. I made the front skirt piece wider than the back. I am not sure of the exact measurement, I just used as much as I could of the ready to wear skirt. Since I had the issue with the bodice length, I sewed the bodice together and tried it on and then figured out where I wanted it to hit on the dress which was just at the bottom of the rib cage. I think I must have originally cut these pieces out thinking I would sew french seams because the bodice is a bit loose on this in the finished dress but I really don’t care. I wanted a loose, floaty, summer dress and it doesn’t need to be perfect. This is something I will wear on vacation with sandals or over a bathing suit. The price was right too since it was all recycled from clothes in my closet.

Before:

After:

And as worn:

The Liberty and Linen version was basically finished over the winter but I still hadn’t handsewn the lining to the waist, partially because I must have cut the two bodices slightly differently and things didn’t line up for me the way they usually do which threw me off. But I finally sewed everything in late April and it is ready to wear. It is a little sack like but I think will be nice for hotter days or with a jeans jacket or cardigan for cooler days. A good summer date night dress. Maybe a little bare for work although wearing a lab coat makes many less wearable options wearable. I bought the linen last spring and also made  a Josephine blouse with the same fabrics.

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I used the floral as a hem facing as well.

My gathering was a little rushed and the linen was not as easy to gather as softer fabric but I don’t think it really matters. It is linen and it will always look a little wrinkled-that is part of the charm. The skirt is also pieced so there is an extra seam. I was squeaking by making both of these projects with the fabric I had.

Front:

Back:

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And as worn before I hemmed it.

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I saved the best for last. I have loved this Cotton and Steel double gauze fabric since I first saw Rae’s Beatrix Blouse. At the time, the price per yard just seemed too much for me but I kept thinking about it and not buying it and then it was basically sold out everywhere and then one day, lo and behold, I found it on sale. I bought 2 yards thinking that I would make a Beatrix Blouse but I didn’t get around to it and then last year when I saw the Gemma with Ruffles, I had the idea to make this dress. I love everything about it. I sort of pattern-matched the sides of the skirt. I didn’t have enough fabric to really pattern-match the bodice but I don’t think it matters. I used two different techniques when I bound the neck and armholes. The binding is visible around the neck and turned under for the armholes.  Ribbon bra straps are sewn in because I remembered just in time! One of these days I am going to thread a bunch of snaps on ribbon and have them precut in a dish on my sewing table because you can sew them in right when you add the bias binding. Really easy and it makes wearing tank tops so much easier. 

I ended up hand sewing the neck binding down because the double gauze was so fiddly.

I used the elastic thread gathering technique for the skirts for all three of these dresses that Rae uses for the Isla. It doesn’t always work perfectly for me (it didn’t work as well  for the linen) but for the lighter fabrics, it worked a charm. I used a lightweight cotton batiste for my hem binding. Here is the finished dress on the front door of honor! I love it! It was worth the wait.

I wore it today and I will wear it forever until it is worn to shreds and I know it will only get better with age and wear.

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View 2:

 

So good! So I am off to a good start this May! More to come.

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Helen's Closet Patterns, Liberty Fabric, Sewing

Seersucker York Pinafore

This has been the summer of the York Pinafore. It has been really hot in the Northeast and when I made my first versions of the York, I realized that it would work well with many hand-sewn tank tops in my wardrobe and be a cool, loose work uniform. I also love that it can be made with 2 yards of fabric and that so many fabrics I already owned worked well for the pattern. So a couple of weeks ago, I cut out three more versions: one practically a duplicate of my much-worn linen-cotton version seen here using scraps left over from this Gemma:

When I originally bought this linen-cotton fabric 3 years ago, I bought a large piece and had many plans for it. I used it to make this Pearl shift which I love but never used the rest of it so had quite a bit in my stash. It turns out it was just waiting all this time to become a York or two. I also cut  one in a lightweight navy linen that I bought this year when I decided that I needed more linen in my life and a third in a cotton seersucker that I bought on sale this spring (and can no longer find where I bought it) which I hoped, but wasn’t sure, would work well in terms of drape. It is so lightweight, that if it did work, I knew it would be great for the 90 degree days we have been having. Turns out it worked great and I love it.

For all of my Yorks, I have lined the pockets. It occurred to me early on that it would be quicker to do that than to turn all the edges under and would simultaneously enclose and finish all of the pocket edges. I am really happy with how this has worked. Here are the pockets of my newest Yorks, all lined up with the top edge topstitched and ready to be sewn onto the front of the pinafores, along with a Ruby blouse bodice that will likely work well with all three. I like the challenge of making pocket linings and bias binding from fabric scraps from prior projects. I am not sure I am really saving a ton of money with the large amount of fabric I purchase but it at least gives me the illusion of thrift and I like the challenge of finding scraps that will work. I have used cotton lawn and voile as linings because I didn’t want to add a lot of bulk to the pockets and change the drape of the garment.

Here are the pocket pieces from my seersucker York ready to be sewn. I cut out the pocket piece from the main fabric and then use that as my template to cut the lining. I generally make the lining a bit larger and then trim once everything is sewn together.

Here are the pocket pieces sewn together and then turned right sides out prior to topstitching.

When I sew the pockets, I cut two of each of the pocket pattern pieces-one from the regular fabric and one of the lining fabric- and sew them together except for the seam that will eventually be sewed into the side seam, I then turn the pockets inside out and press and then sew to the front piece of the pinafore. Then I sew the side seams with wrong sides together and then again with right sides creating a French seam. Lots of trimming of fringe and stray threads happens in between sewing the two seams. I wasn’t sure how French seams would work with the pockets but I am here to say, 6 Yorks later,  that it has worked great. Here is a close-up of the edge of the pocket turned up so you can see the lining. I used a floral cotton lawn by Liberty of London left over from this blouse.

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And here are some pictures of the finished garment.

Front:

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Back:

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Inside view so you can see the trim:

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And as worn.

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I love that little partially hidden pop of floral liberty fabric. I am wearing my Seersucker York with my white double gauze Gemma Tank. I will be making another or these (or two) this winter as it is my go-to top. Goes with everything.

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I used leftover solid cotton lawn when I sewed a York in a cotton-linen canvas print: navy for pocket linings and bias binding and yellow for the hem facing. 

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The canvas was so crisp it was a pleasure to sew with.

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And here are the finished views:

Inside so you can see the bias binding and hem facing:img_2634

Finished front:

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And finished back view:

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And as worn:

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Most of my cotton lawn scraps come from the many Gemma Tanks that I made over the last few years, many of which work with my Yorks, creating endless mix and match outfits. Is it any wonder I keep making York after York? I have some pink linen fabric that I bought earlier this year planning to make a top but now I can’t get a pink York out of my head. Stay tuned!

 

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Gemma Tank, Helen's Closet Patterns, Made By Rae Patterns, Sewing

Helen’s Closet York Pinafore in Linen X 2

When I first spied a tester version of the Helen’s Closet York Pinafore during Me Made May before its official release, I knew it was going to be hugely popular. I guessed that this was Helen’s new pattern because I am a Patreon Supporter of the fantastic Love to Sew podcast hosted by Helen and Caroline and in one of the subscriber-only extra LTS podcasts, Helen mentioned that her to-be-launched new pattern was a modern take on a pinafore. Since I am from Connecticut, I didn’t know what she meant by pinafore-here in the US, we call this particular garment a jumper- but when the tester posted a picture during Me Made May and referred to the garment she was wearing as a pinafore, I knew it must be the pattern.

Since the pattern release, it has been popping up all over the place and for good reason. It is a cute modern design, a relatively easy sew and it is fun to customize. I was thrilled because now I have  a pattern to use to sew all the slightly heavier fabrics in my stash (I have a number of linen blends and heavier cottons I purchased for various reasons and have not yet used). And it only takes 2 yards of fabric. So the day it was launched, I purchased the pdf and printed it out.

I had some issues with my printer-it cut off parts of the pattern- but I connected the lines and it looked ok and I cut out the front and back from this linen and started playing with the fit. I cut my first version by cutting between the medium and large cutting lines which usually works for me. I basted the shoulder and side seams and then started trying on the jumper and playing around, taking it in a bit in here and there, sewing more rows of basting stitches, and pretty soon my seam allowances were all over the place but I liked the shape. I was actually afraid that if unpicked the basting seams to sew French seams or add pockets, I wouldn’t be able to replicate the shape, especially since the fabric I used was a lightweight, rumpled linen blend.  So, I sewed a line of stitching along the innermost line of basting stitches, trimmed off the rest of the wonky seam allowances and called it done.

Here are some pictures of the finished garment:

and as worn with my much loved Gemma Tank in white double gauze. It is a little wonky and sack-like but I love it.

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img_2143I had altered this Floral Voile Ruby Dress to make it into a blouse during Me Made May since I hadn’t worn it much in the year since I sewed it. I happened to have it in my sewing room and tried on the York over the blouse and realized it was a perfect match for the linen so I used the extra fabric to make bias binding and a hem binding since the length was a bit short  and I finished it in time to wear to my stepdaughters’ graduation.

Since I raced to finish this wearable muslin before going on vacation, I didn’t actually read the meticulous fitting instructions that Helen included in this pattern.

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After vacation, I printed out another set of pattern pieces and decided that this time I would read and follow the instructions. I was also excited for pockets!

Based on the instructions, my measurements put me in a size Large and given my 5’9” height, Helen’s directions suggest adding 1.5 inches to the pattern by adding 1/2 an inch in three separate places. But when I lined up the version I had already made, it was much smaller than the new pattern that I had printed out and pieced together and in particular, the straps were shorter in my first version and I was pretty happy with where the upper part of the skirt hit my torso on version one. I actually think with my long torso it is sometimes more flattering to have the waist of the garment hit a little higher than my natural waist. So despite the really wonderful, logical instructions, I did not add any length to the straps of the pattern and just cut the pattern out between the M and L lines except for the straps which I cut on the M line at the top and the L lines along the armholes to add a bit of width to the straps. Since the new printed pattern was so much longer than the version I had already sewn, I just cut along the L hem line and decided to sew it up and see what happened. As I did with version 1, I drew a new curve for the neckline about half-way between the two versions of the pattern.

I decided to go for broke and sew French seams even though they always take more than 5/8 inch when I sew them (I have a hard time enclosing all the fraying edges with the 1/4 and 3/8 seams used to create French seams as Helen instructs in the pattern. I ended up sewing a 3/8 seam with wrong sides together and then a 1/2 inch seam with right sides together since it seemed as though I would have lot of extra width. The finished version was longer than version one as planned but even with my 7/8 inch French seams, it was also more roomy. It did not completely make sense but I figured I must have made more adjustments than I realized with my first version- it was such a blur. I tried on version 2 and took pictures. I liked it but did not love it because the linen-cotton blend I used for version 2 was more stiff than the linen I used for version 1 and I felt that overall, the finished garment was less flattering. Here it is with another favorite Gemma tank. I used quilting cotton for the top-stitching to accent the design features and this version had pockets but I didn’t like it as much because it was bigger and didn’t drape as nicely and felt a bit more dowdy.

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I had even lined the pockets using beautiful fabric given to me by a friend (leftover from a Gemma tank that I sewed during Me Made May.)

img_2239I was a bit disappointed but I chalked it up to a learning experience and figured I would try washing it and see if the fabric would soften up a bit.

And YAY! it not only softened up but it shrunk as well and now I love it! Go figure! Here are more pictures with more Gemmas. It is just a bit shorter, just a bit more fitted and much drapier. It is like a whole new garment.

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img_2244So maybe the fabric I cut out hadn’t been pre-washed (although I am almost positive I had washed it before I put it away last year) or maybe this linen-cotton blend really shrinks a lot? Either way, I am thrilled because after taking the time to line the pockets

and sew French seams and do all the things,

I am really happy with it. Now the only challenge is to figure out what to do about version 3. I am thinking that I will need to make more adjustments to my paper pattern. Such is the life a sewist.

In any event, I plan to wear this all summer. It goes with everything in my closet, especially my huge collection of Gemma Tanks.

Several years back I made many versions of the Made By Rae Gemma tank and I plan to wear my York every week this summer with a different Gemma. I think I have enough that I can wear a different combination every week. Want to join me? I will post every Tuesday with the hashtag #wearyouryorkday I actually have a couple of Gemmas cut out that I have been wanting to finish and this is just the incentive I need.

Congratulations to Helen on such a wonderful new pattern. I made four versions of the her Blackwood Cardigan this May and have more planned. She is on a roll!

 

 

 

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Bias Binding, Gemma Tank, Liberty Fabric, Made By Rae Patterns, Sewing

Linen and Liberty Josephine Blouse

I had already started making a version of the Josephine Blouse by Made By Rae in this Loominous fabric when I saw a version of the Roscoe blouse on instagram with contrasting neck and sleeve binding and that was it. I had a vision of a boho blouse in linen with a Liberty floral trim. I had already purchased this lightweight Telio linen checked fabric and I realized that this Liberty lawn would be perfect. Both fabrics from fabric.com. (I plan to also make the Roscoe at a later date but will be making it in rayon.)The Josephine is usually made with pleats but Rae posted a version with gathers that is the perfect Boho Blouse. It is loose and cute but shaped with bust darts. Many of the other styles such as the Roscoe have raglan sleeves and need a really flow-ey fabric such as rayon but the Josephine’s slimmer profile works well in cotton and in linen. It is less full cut and the gathers are more controlled. Rae suggests using elastic thread but I find that I have more control with my two rows of gather stitches. The linen is so crinkly that the gathers don’t have to be perfect and it still looks good.The actually cutting and sewing of the pattern is very straightforward. The front is sewn together and the back is one piece cut on the fold. You gather the fabric in the center back and the center of the two front pieces. You cut the two mirror halves of the front, one back piece and two sleeves. I then made the bias binding and two rectangles to make cuffs. I usually stitch just on the edge of the cuff, not in the ditch. I like the look of the visible stitching.I have to say I was thrilled with how this turned out. I used bias strips of Liberty as hem facings, as one does.Finished blouse below. It is finally warm enough for front door pictures.My sewing room has one window that faces west. Such beautiful light.I had enough of these two fabrics to also make a version of the Gemma tank cropped with a gathered linen skirt. This dress is going to be perfect for spring. More late afternoon light. I can’t get enough of it after a long, dark winter.

And many pictures of the blouse as worn. This is going to be in frequent rotation. I love the neckline. Rae is a genius with necklines.img_9738I used the curved hem from the Gemma tank as my guide for this hem. I love how you can mix and match Rae’s patterns. Back view.The other side view.I look as though I am summoning the backyard spirits but I think my husband caught me on the way to fix my hair and put it behind my ears.As you can see in the next picture. He takes a zillion pictures and then I whittle them down to a few. What can I say? Perfect combination of pattern and fabrics. The Loominous version is going to be great too. Almost finished! Spring sewing is officially underway.

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Sewing

A Linen Pearl Shift for Spring

imageIt’s all about the zipper.imageI originally bought this cotton-linen blend fabric because I was inspired by the beautiful version of Anna Maria Horner’s Painted Portrait Dress posted by Miss Make during Me Made May 2015. If you click on her blog post, it is the short sleeved version in the 3rd row on the left. Perfect dress. But then last winter, I found that I was wearing my plaid Pearl shifts so frequently that I thought the fabric would be perfect for a spring version of the pattern. Since then, I also saw a great version of the Inari Tee dress on Instagram using this same fabric so I may need to get more. In any event, this is a great simple pattern that sews up fast. Here is the finished shift hanging on my new place to photograph my projects: my front door.  I came to appreciate the importance of natural light taking all those selfies for Me Made May and it already has a hook which is not currently occupied by a holiday wreath.imageHere are some tricks/shortcuts I use when making this pattern. First, I size up for french seams:  I cut on the next size up cutting line for the sleeves and side seams to allow room for french seams. I don’t seem to be able to capture the fraying threads with just one seam and always end up with two, no matter how well I think I have trimmed the threads. Since this happens every time I sew french seams, I am trying to just roll with it and know that my seams are very strong (ha!) and I need to plan for it. I cut on the Large seam line although I am generally more of a medium. This gives me enough space for my double seam and have the dress still fit. By the way, I only use french seams for the long seam from the wrist to the hem. I am not confident enough to attempt them at the shoulder seam. Those I sew using a regular seam and then zigzag to finish. image I don’t gather the sleeves:  It may sound funny but I don’t gather the sleeves. I have only made the Pearl with heavier fabric with some stretch/give. I line up the center of the sleeve with the shoulder seam, pin it, and then I sew from the top down in one direction and then from the top down on the other side without using pins, just holding the fabric in place as I go. I get a nice clean shoulder seam with no puckers. Then I sew the sleeve and side seams in one long seam. I generally end up trimming a bit of the sleeve before sewing the long seam in order to make everything line up but I end up with a nice looking sleeve that fits the way I want it too. I am happy with the somewhat close fit I get doing it this way and it is quick and easy. I wouldn’t try this at home using your nice fabric. I would try it first with a muslin to see if you like the way it fits,  but I did it this way the first time and it has worked for me ever since (this is my 4th Pearl shift.) Picture of finished sleeve seam below. imageI use a contrasting lighter-weight fabric to finish the neck, hem and sleeves:  I finish the neckline, hem and sleeves with facings similar to my technique with my Washi’s and Beatrix blouses. In this case, I used two different fabrics since I only had a quarter yard of each. I like how they harmonize. I got these at The Cloth Pocket and the Stitch Lab during trips to Austin. Both are great sources for fabric and inspiration. Choosing facing fabrics is a fun challenge each time I sew. I try to use something I have in my stash. This is less of a challenge these days because my stash is growing. I sew the neckline binding by topstitching about an inch down which I think is a nice look for this simple shift in the heavier fabric.

Word to the wise: measure at least twice and make sure you are looking at the right numbers on your ruler:  I used the Brumby Skirt zipper technique as extensively described in my prior post about a Beatrix tunic. I generally make two similar garments at a time. It is often quicker to cut out and sew two similar things. However, a downside to this approach is that when you make a mistake, you sometimes make it twice as I did in this case where I sewed a zipper opening that was not the same size as either of the zippers I had purchased  (I realized later that I had lined up the wrong end of the ruler so I was off by an inch without realizing it) and had to delay finishing my projects while I waited for a new order of the right sized zippers to arrive.

Make a muslin and check the fit, even for this simple pattern. I have narrowed the shape of this shift just slightly to make it a bit less triangular which I think is more flattering for my shape and I grade the hemline slightly so that the back is a bit longer than the front, as I do when I make the Beatrix tunic.

That is really all to say that is new. Here are some pictures of the process.  A sad zipper that is too small for its opening as seen below.image I blame the ruler that has different numbers on the two sides. Of course, I was looking at the wrong side when I measured. I took this picture May 19th and then the project sat as Me Made May sped by and then it was June. More pictures of the Brumby zipper opening technique.imageHem facings in process: step 1imageStep 2imageStep 3imageSleeve facings

Many views of the neckline. I like the tiny bit of color peeking out.imageNeckline with zipper. A little wonky but the nubby fabric hides all.imageNeckline selfie. It’s a little higher than the Beatrix, a little 60’s looking. I like it with the linen. That’s my dad at a young age in the background. My sewing room walls are covered with my favorite pictures.imageFront of finished dress once againimageBack of  finished dressimageInside of dress frontimageand backimage

 

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