Bias Binding, Gemma Tank, Liberty Fabric, Made By Rae Patterns, Pearl Shift, Sewing

Gemma Tank with Gathered Skirt X 3

Last year about this time, I had the idea to use the Gemma Tank pattern and make some summer dresses. Rae posted a tutorial on her blog for adding a peplum to the tank which I tried and loved so I thought I would try just lengthening the ruffle to skirt length using two wider and longer rectangles for the skirt. Then I got distracted by other patterns and other sewing. It must be said that when I sewed my first version of this Gemma Dress, I used too long a bodice and it wasn’t balanced and I was too discouraged at that time to take apart the already gathered and attached skirt and shorten the bodice. It felt overwhelming. I did finish a version with a very long linen skirt and a Liberty of London cotton lawn floral top. I lined that version and it came out ok (pictures below) but I forgot to add a seam allowance to allow for the sausaging of the bodice and so the straps were narrower than I would have liked. All of this to say that this year, I had two versions of this dress cut out and partially but not completely sewn. One was made from a previously me-made chambray Bianca Dress

and a skirt I purchased about 15 years ago in a little boutique but rarely wore because I didn’t like the waist. I loved the fabric though so held onto it. The other version was in a beautiful cotton double gauze that I purchased on sale from Alewives Fabrics after years of wanting the fabric but not feeling that I could spend the money. This May one of my goals is to finish some of these projects that have languished.

First up, the chambray and upcycled rtw skirt.

The skirt was lined with a gauzy green fabric which I used for the bias binding and hem facing. I added bra holders made of ribbon as I sewed the binding.

I used elastic thread to gather the skirt which worked great. I made the front skirt piece wider than the back. I am not sure of the exact measurement, I just used as much as I could of the ready to wear skirt. Since I had the issue with the bodice length, I sewed the bodice together and tried it on and then figured out where I wanted it to hit on the dress which was just at the bottom of the rib cage. I think I must have originally cut these pieces out thinking I would sew french seams because the bodice is a bit loose on this in the finished dress but I really don’t care. I wanted a loose, floaty, summer dress and it doesn’t need to be perfect. This is something I will wear on vacation with sandals or over a bathing suit. The price was right too since it was all recycled from clothes in my closet.

Before:

After:

And as worn:

The Liberty and Linen version was basically finished over the winter but I still hadn’t handsewn the lining to the waist, partially because I must have cut the two bodices slightly differently and things didn’t line up for me the way they usually do which threw me off. But I finally sewed everything in late April and it is ready to wear. It is a little sack like but I think will be nice for hotter days or with a jeans jacket or cardigan for cooler days. A good summer date night dress. Maybe a little bare for work although wearing a lab coat makes many less wearable options wearable. I bought the linen last spring and also made a Josephine blouse with the same fabrics.

I used the floral as a hem facing as well.

My gathering was a little rushed and the linen was not as easy to gather as softer fabric but I don’t think it really matters. It is linen and it will always look a little wrinkled-that is part of the charm. The skirt is also pieced so there is an extra seam. I was squeaking by making both of these projects with the fabric I had.

Front:

Back:

img_9651-1

And as worn before I hemmed it.

I saved the best for last. I have loved this Cotton and Steel double gauze fabric since I first saw Rae’s Beatrix Blouse. At the time, the price per yard just seemed too much for me but I kept thinking about it and not buying it and then it was basically sold out everywhere and then one day, lo and behold, I found it on sale. I bought 2 yards thinking that I would make a Beatrix Blouse but I didn’t get around to it and then last year when I saw the Gemma with Ruffles, I had the idea to make this dress. I love everything about it. I sort of pattern-matched the sides of the skirt. I didn’t have enough fabric to really pattern-match the bodice but I don’t think it matters. I used two different techniques when I bound the neck and armholes. The binding is visible around the neck and turned under for the armholes. Ribbon bra straps are sewn in because I remembered just in time! One of these days I am going to thread a bunch of snaps on ribbon and have them precut in a dish on my sewing table because you can sew them in right when you add the bias binding. Really easy and it makes wearing tank tops so much easier.

I ended up hand sewing the neck binding down because the double gauze was so fiddly.

I used the elastic thread gathering technique for the skirts for all three of these dresses that Rae uses for the Isla. It doesn’t always work perfectly for me (it didn’t work as well for the linen) but for the lighter fabrics, it worked a charm. I used a lightweight cotton batiste for my hem binding. Here is the finished dress on the front door of honor! I love it! It was worth the wait.

I wore it today and I will wear it forever until it is worn to shreds and I know it will only get better with age and wear.

View 1:

View 2:

So good! So I am off to a good start this May! More to come.

Bias Binding, Gemma Tank, Made By Rae Patterns, Sewing

Gemma Tanks using Upcycled Plaid Shirts

Last winter my husband and I spent a bit of time in our local Goodwill Thrift stores buying old sweaters for an afghan project for my stepdaughters which you can see in this post and I came across a plaid men’s oxford shirt in great shape. I liked the colors and thought it would be good for binding or facings and then it sat on my shelf until about a month ago when I discovered the Gemma Tank pattern by Made By Rae and embarked on a month-long tank-making frenzy that continues to this day. When I saw this linen version by Rae’s cousin Jess, I thought I would use some leftover woven cotton that has a linen-y look to it (previously purchased at Joanne’s for a Bianca dress that I wear all the time) and use the plaid for the bias binding. But then I realized that I probably had enough of the plaid to make it into its own Gemma, so that is what I did (before binding below).Simultaneously, almost, I cut out the blue woven material to make that version of the Gemma. Although I had planned to use the plaid shirt above to bind the blue Gemma below and some of the blue scraps to bind the plaid, I ended up with another plaid shirt in the mix.

My husband saw how much fun I was having repurposing the Goodwill plaid shirt and gave me one of his from his closet that didn’t fit him. And I liked how it went with the blue as you can see below. I ended up using a lighter blue chambray to bind shirt number one (are you confused yet?) only because I had it leftover from binding my Wood Cut Gemma seen in this post and the extra was on my sewing table and I happened to notice how nicely it went with the plaid-serendipity.My husband’s shirt below (this is the before picture.) Who knew he had such a treasure hidden among the white and blue oxford shirts? Great quality and a perfect match.I had both these tanks sewn up and had started the binding several weeks ago but then I set them aside to make some birthday tanks for my stepdaughters (twins) which I will blog about some day. (so cute-both the girls and the shirts)

So in the process of making these shirts, and although I still have quite a few that still need binding, I have had some successes and some not-so-successful results. I previously blogged about my version of the traditional binding that ends up looking like a topstitched binding. But the binding I like best is the version I used for these plaid/chambray Gemmas and for my Wood Cut Gemma and the girls’ Octopus Gemmas seen below.

It resembles the french binding technique that Rae explains (all three of her binding tutorials are terrific) but since I just made it up as I went along, I found that I am doing something different than she teaches (I made these Gemmas before the binding tutorials were available) so I am sharing my approach in case it is helpful to others. First, I usually cut my binding strips 1.5 inches wide, although I believe the light blue chambray below is 1.25. I sew it with right sides together (a mistake I have made repeatedly as I make the Gemmas is to sew the binding to the inside instead of the outside). I don’t pin. I use the presser foot as a guide and I end up with a seam allowance that is between 1/4 and 3/8 of an inch. I initially tried the method of overlapping the ends that Rae describes in her pattern but I was not happy with the results so I leave a tail when I start sewing so I can stop a couple inches before the end and sew the ends together. Rae shows how to do this in her french binding tutorial. By the way, when I make binding tape, I just join the pieces using straight edges, I don’t cut the 45 degree angles that the tutorials recommend. I don’t find that there is enough bulk to bother me and it is quicker. Sacrilege I know.As you can see above, I don’t iron the fold into the binding tape prior to sewing it to the garment, which is different than the tutorials. After sewing the seam, I gently press the seam and then press from the wrong side of the garment and fold the binding tape inward so the edge meets the stitching line. I will show more pictures of this below. Then I iron and then I fold again using the seam where the shirt edge meets the binding and so I have a sort of tri-fold sandwich. Then I use wonder clips to hold it in place. I try to make the width of the folded fabric even.Then I flip the garment right side out and check to make sure that the fold is even and sometimes I iron a bit but I don’t go crazy ironing if it is a neckline or arm hole so as not to stretch the curve out. Then I sew from the right side, which is the opposite of the french technique Rae explains where she sews from the inside. I do this because I like the look of the stitches and I want them to be as pretty as possible and I find that my stitches are not as pretty on the underside. I also do it because I usually like to shift the fabric fold just enough to create a bit of a an edge that ends up looking like piping. I learned to do this by mistake when I made a black lined washi dress for myself. I then did it on purpose when I made a similar dress for my sister. It is an easy thing to do and I am really happy with the little extra zing it gives the garment. This is what it looks like below. I basically hold the fabric fold and feed it into the machine so I have a sense of where the thickness is to be able to catch the whole fold and have a relatively even width between the stitching line and the edge of the garment. I don’t always have exactly the same amount of contrasting material-fake piping showing but I think it ends up looking fine.In terms of my approach to upcycling, I did the opposite from my approach to my upcycled Beatrix shirt where I used the back for the front and the front for the back. In this case, I pieced the front from the two sides of the front of the oxford shirt and cut the Gemma back from the shirt back. I had to do this because of the size of the back pattern piece and the logo which was on the front of the shirt, seen below. Luckily there was no pocket to contend with but there was the polo player who ended up in just about the right spot. I really like the contrasting blue edge around the neck and arms.Back of shirt below. I cut the back from the back of the shirt. I needed the big piece because the Gemma tank neckline in back goes up high. I wouldn’t have had enough to piece it. Also the polo player.I did the binding for the chambray-like tank the same way. I cut 1.5 inch strips and followed exactly the steps as above except that I didn’t shift the fabric as much. In this case, I was ok with some of the plaid poking out but I wasn’t going for the look of an edge all the way around the seams since I wanted the tank to be a neutral piece I could layer with many colors. I felt a little bad about cutting into such a nice shirt but it wasn’t being worn. It is a really thin, fine dress shirt cotton poplin and was really easy to work with. I have plenty left over for more projects.Same steps.After sewing the first seam with the binding ironed up (this is the outside of the shirt) before turning garment inside out to make the fabric sandwich.Finished neckline below with binding sewn in place.Both versions.Another view so you can see the blue edging.Applying binding to the hem. You can see how the front seam doesn’t line up exactly in terms of plaid matching but it is pretty close.Another view of how I line up the edge with the seam when making the binding sandwich.So many pictures (I went a little crazy).I ended up sewing a couple of lines of stitching when I joined the front pieces in an attempt to better match the plaid. Not the neatest but this is going to be a hang out on the weekend Gemma so I wasn’t a perfectionist.More pictures showing the front seam (wonder clips are a good investment btw.)More binding close ups.Front door pictures of finished shirts.Sadly I cut a small bit of the fabric with my rotary cutter by mistake in my haste when I cut out the front. You can see a little repair I did under the arm hole with some interfacing and some zigzagging. It isn’t really noticeable when being worn.And as worn. Thanks to my daughter the photographer. Front view. Both of these are cut between the medium and small line on the pattern using the scoop neck. Perfect with jeans.Side view and back view.And version 2. Pretty good for upcycling right? Run, do not walk, to your local Goodwill.Side view.Back view.Love these shirts and love this pattern!